Julia stiles
July 4th, 2008Julia stiles
PRODUCT DESCRIPTION: At Moviestore we have an unbeatable range of both original and classic high quality reproduction movie posters. Movie poster art is a wonderful collectible item and great for home or office decor. We have been in business for 16 years so you can buy with confidence. Our guarantee - if you are not fully satisfied with your purchase from Moviestore we will gladly refund your money.: DESCRIPTION: Authentic original (or specified high quality reproduction) one-sheet movie poster., SIZE: Approx 27x40 inches unless otherwise stated.
Company: MovieStore
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Kitchen: Print Title: Business of Strangers, Just one of over 3,500 movie posters from Star Wars to Harry Potter in our Movies gallery. Get one today., Size: 40 x 30 inches
Company: Art.com
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Down To You - 2000 - Original 27x40 Movie Poster - Stars: Freddie Prinze Jr, Julia Stiles, Selma Blair, Ashton Kutcher - Collectible: Original One Sheet, Measures 27x40, Double Sided, Collectible, Rolled
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Mary Poppins may be one of the most beloved film musicals of all time, but it took 30 long years for it to transfer to the stage. This recording of the original London cast shows the wait was worthwhile though. The new version mixes in elements from both the original books by P.L. Travers (which she started publishing in 1934) and the Disney movie starring Julie Andrews, from 1964. (Mary seems to take 30 years to do anything.) Most of the original songs by brothers Richard and Robert Sherman (Chitty Chitty Bang Bang) are present--Mary Poppins is so associated with "Supercalifragilisticexpialidocious," "A Spoonful of Sugar," and "Chim Chim Cher-ee," her Oscar-winning duet with Bert, that starting from scratch would have been unthinkable. But then George Stiles and Anthony Drewe came in and dusted off some of these songs, and wrote entirely new numbers as well. Miraculous, these are wonderful and blend in seamlessly with the 1960s tunes, thanks in no small to William David Brohn's lovely orchestrations. As the titular super-nanny, Laura Michelle Kelly is so warm and scrumptious that she might as well be referring to herself when she sings "I'm practically perfect in every way." The rest of the cast is equally adept, making this Mary Poppins sweet but not treacly, and the rare show to upstage its source. --Elisabeth VincentelliAudio CD: Cast Recording, Soundtrack
Company: Walt Disney Records (2005-09-13)
List Price: $18.98
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Includes the Bonus Track "Suite" by Rachel PortmanAudio CD: Soundtrack
Company: Sony (2003-11-21)
List Price: $13.98
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Audio CD:
Soundtrack
Company: Sony Pictures Entertainment (SPE) (1997-04-01)
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Tackling an entire decade--and a turbulent one at that--within a three-hour movie is a challenge, and while The '60s is frequently entertaining, it unfortunately is not completely up to the task. The movie follows the lives of four young people, three from a white suburban family with parents out of The Wonder Years and one African American from the South. The characters are forced into one-dimensional clichés; they are their personas to the nth degree. Katie (Julia Stiles), the pretty young blond, is the lost hippie; Brian (Jerry O'Connell), the former high school football player, is the gung-ho-turned-disgruntled Vietnam solider; Michael (Josh Hamilton) exemplifies the political activist; and Emmet (Leonard Roberts), the only representative of the entire black movement of the '60s, plays first the pacifist who effects change through nonviolent means and then the Black Panther, and then he finally returns to his nonviolent ways. Yet despite the trite characters and slow beginning, the movie picks up pace as each becomes involved in his or her own story. They become strangely compelling, to the point where you are sorry when the story switches to another character because you want to see more. An eclectic shooting style--a mixture of archival footage, seamlessly spliced with shots of the miniseries in black and white, which then becomes color--effectively places the characters in the '60s context. You can believe that these folks were at the Democratic Convention in Chicago or the Watts riots or Woodstock. Yet, sometimes a break is needed: the film is unrelenting in presenting crisis after crisis with no respite, making one wonder if there were any quiet, simple, or nice moments in the entire decade. The sentimental soundtrack plays continuously, helping set the appropriate tone and the frenetic atmosphere of the movie. For those who lived through the '60s, this miniseries provides a nostalgic look back at the various movements and a general feel of the time, especially with the proliferation of film clips that aren't oft repeated (we've all seen the moon landing ad nauseam, but footage of Abbie Hoffman or Dylan playing the club scene in the East Village are refreshing). And for those born after this period, this miniseries makes the decade look like a frenzied, troubled mess that we can be grateful we had the good fortune to miss. --Jenny Brown
Director:
Mark Piznarski
VHS Tape:
Color, NTSC
Company: Vidmark / Trimark
(1999-06-22)
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It's, like, Shakespeare, man! This good-natured and likeable update of The Taming of the Shrew takes the basics of Shakespeare's farce about a surly wench and the man who tries to win her and transfers it to modern-day Padua High School. Kat Stratford (Julia Stiles) is a sullen, forbidding riot grrrl who has a blistering word for everyone; her sunny younger sister Bianca (Larisa Oleynik) is poised for high school stardom. The problem: overprotective and paranoid Papa Stratford (a dryly funny Larry Miller) won't let Bianca date until boy-hating Kat does, which is to say never. When Bianca's pining suitor Cameron (Joseph Gordon-Levitt) gets wind of this, he hires the mysterious, brooding Patrick Verona (Heath Ledger) to loosen Kat up. Of course, what starts out as a paying gig turns to true love as Patrick discovers that underneath her brittle exterior, Kat is a regular babe. The script, by Karen McCullah Lutz and Kirsten Smith, is sitcom-funny with peppy one-liners and lots of smart teenspeak; however, its cleverness and imagination doesn't really extend beyond its characters' Renaissance names and occasional snippets of real Shakespearean dialogue. What makes the movie energetic and winning is the formula that helped make She's All That such a big hit: two high-wattage stars who look great and can really act. Ledger is a hunk of promise with a quick grin and charming Aussie accent, and Stiles mines Kat's bitterness and anger to depths usually unknown in teen films; her recitation of her English class sonnet (from which the film takes its title) is funny, heartbreaking, and hopelessly romantic. The imperious Allison Janney (Primary Colors) nearly steals the film as a no-nonsense guidance counselor secretly writing a trashy romance novel. --Mark EnglehartVHS Tape: Closed-captioned, Color, Dolby, NTSC
Company: Walt Disney Video (2000-04-04)
ISBN: 6305537798
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Julia Roberts's command of the screen is so effortless, it's easy for moviegoers to take her for granted--but we shouldn't. Mona Lisa Smile--about a noncomformist teacher at a private school who encourages students to pursue their individuality--is pretty much an all-girls version of Dead Poets Society that mixes '50s fashions with '70s feminist thought. However, its lack of ambition doesn't diminish the talent that's gone into it: The writing and directing are well-honed and skillful; the actors--a talent-studded cast featuring Marcia Gay Harden, Kirsten Dunst, Maggie Gyllenhaal, Julia Stiles, and Juliet Stevenson--are uniformly excellent. But without question, Mona Lisa Smile rides on Roberts's shoulders and she carries it with ease. She's possibly the only contemporary actor who simply owns a movie the way Bette Davis, Jean Arthur, or Claudette Colbert once did, radiating a engaging mix of intelligence, drive, and emotional warmth that cannot be matched. --Bret FetzerDirector: Mike Newell
VHS Tape: Closed-captioned, Color, Dolby, NTSC
Company: Sony Pictures (2004-06-01)
ISBN: 1404905812
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The often breathtaking, final installment in the Bourne trilogy finds the titular assassin with no memory closing in on his past, finally answering his own questions about his real identity and how he came to be a seemingly unstoppable killing machine. Matt Damon returns for another intensely physical performance as Jason Bourne, the rogue operative at war with the CIA, which made him who and what he is and managed to kill his girlfriend in the series' second film, The Bourne Supremacy. Now looking for payback, Bourne goes in search for the renegade chief of CIA operations in Europe and North Africa, partnering for a time with a mysterious woman from his past (Julia Stiles) and constantly--constantly--on the run from assassins, intelligence foot soldiers, and cops. Directed by Paul Greengrass (United 93) with the director's thrilling, trademark textures and shaky, documentary style, The Bourne Ultimatum is largely a succession of action scenes that reveal a lot about the story's characters while they're under duress. Joan Allen, Albert Finney, David Strathairn, Scott Glenn, and Paddy Considine comprise the film's terrific supporting cast, and the well-traveled movie leads viewers through Turin, Madrid, Tangiers, Paris, London, and New York. Overall, this is a satisfying conclusion to Bourne's exciting and protracted mystery. --Tom Keogh Beyond The Bourne Ultimatum on DVD
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Stills from The Bourne Ultimatum (Click for larger image)
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Director: Paul Greengrass
DVD: AC-3, Color, Dolby, Dubbed, DVD-Video, Subtitled, Widescreen, NTSC
Company: Universal Studios (2007-12-11)
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